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Manuel
Alvarez Bravo
de B. Ollier
Quatrième
de couverture
« La poésie profonde et discrète et l'ironie désespérée
et raffinée émanent des photographies de Manuel Alvarez
Bravo, comme ces particules suspendues dans l'air qui rendent visible
un rayon de lumière comme s'il pénétrait une chambre
noire. »
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Manuel
Alvarez Bravo
de Amanda Hopkinson
Quatrième
de couverture
« La poésie profonde et discrète et l'ironie désespérée
et raffinée émanent des photographies de Manuel Alvarez
Bravo, comme ces particules suspendues dans l'air qui rendent visible
un rayon de lumière comme s'il pénétrait une chambre
noire. »
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Manuel
Alvarez Bravo
de Aperture, A. D. Coleman, Manuel Alvarez Bravo
Book
Description
Manuel Alvarez Bravo began photographing in 1924 during Mexico's thriving
post-revolutionary artistic renaissance. While his early work embraced
Mexico's urban realities, its peasants and workers, and its hauntingly
beautiful landscape, Alvarez Bravo's ever-present acknowledgment of
the macabre prompted André Breton, the leader of Surrealism in
France, to claim him as an exponent of the movement.
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Polaroids
de Manuel Alvarez Bravo (Photographies)
Book
Description
Manuel Alvarez Bravo is generally recognized as one of the masters of
modern photography and one of Mexico's most significant artists. He
is well-known for his black and white images, therefore this selection
of never-before-published Polaroids might be a surprise to those familiar
only with his signature style. The simple design of the book--a single
photograph per page--reproduced in the original Polaroid's dimensions--creates
an ideal context in which to enjoy this segment of Bravo's work. Colette
Alvarez Urbajtel, the photographer's widow writes: "Although Manuel
used a Hasselblad with special backing until his late career, when Polaroid
cameras appeared on the market, he was quick to avail himself of their
convenience and speed. He started taking black and white Polaroids with
the appropriate fixtures, and then moved on to color. His work in color
tended to be the result of some sudden impulse, when he had just supplied
himself with materials or in quest of a particular effect. It might
be at home, on the weekend, when there were people visiting, or when
he wished to capture some prank of his daughters . . ." Beautifully
reproduced, Manuel Alvarez Bravo: Polaroids reveals a playful, charming,
and spontaneous side of the great Mexican master of light and shade,
and is the first book on his work published since his death in 2003.
It will appeal to those interested in photography and Mexican art in
general. Essay by Colette Alvarez Urbajtel.
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Manuel
Alvarez Bravo: Photographs from the J. Paul Getty Museum
de J Paul Getty Museum
Book
Description
The career of Manuel Alvarez Bravo (b. 1902) spans many decades and
reflects numerous changes in artistic fashion. A self-taught photographer,
he purchased his first camera at the age of twenty, and around 1925
he won first prize in a photographic competition in Oaxaca. He returned
to his birthplace of Mexico City and in 1927 met Tina Modotti, who introduced
him to many Modernists in the city's lively art scene. Among them was
Edward Weston, who encouraged Alvarez Bravo to continue his photography.
Though his work went unrecognized in mainstream art circles for years,
Alvarez Bravo is now considered by many to be one of Mexico's great
artists.
The Getty Museum's collection of photographs includes more than ninety
by Alvarez Bravo, and approximately fifty are reproduced here with commentary
on each image by Roberto Tejada, an independent curator and critic,
who also provides an introduction to the book and a chronological overview
of the artist's life. The photographs reproduced display the array of
styles, themes, and moods that typify art created in Mexico during the
1930s as modernism first flowered in that country; they also include
examples of his work from later decades.
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